Bijou Phillips Hostel 2

She made headlines at 13 when she became the youngest model ever to appear on the cover of Interview Magazine and Italian Vogue. By 14 she’d dropped out of school and emancipated herself from her parents - Mama’s and Papa’s singer John Philips and model mum Genevieve Waite. Over the next few years she modelled, released an album (I’d Rather Eat Glass), and became the darling of the New York tabloid press with her drug taking, wild child antics. She admits her life was ‘out of control’. Her ‘wake up’ call came when she lost a couple of friends to drug overdoses. Her father checked her into rehab, and she began to turn her life around.
By 19 she’d discovered acting. Early roles included James Tobiak’s Black and White and Tart. She showed enormous promise. Today she’s an accomplished actress with 17 films under her belt. In her latest one, Hostel 2, she gets to play one of three American girls studying art in Rome. Everything is fine and dandy until the girls accept a weekend invitation from one of the class models. Will they find the R&R they’re looking for? Or are they about to become pawns in a sick plot for the privileged weirdo’s of the world?
Bijou Philips spoke to Gaynor Flynn via phone about the role and why acting is her number one passion
these days.
Gaynor Flynn: I understand you’re in Pittsburgh. What are you doing there?
Bijou Phillips: I’m filming a movie. Bridge to Nowhere by Blair
Underwood he’s an actor and this is his first movie.
Gaynor Flynn: Well we’re supposed to be chatting about your other
film Hostel 2. What made you say yes to that one?
Bijou Phillips: Well I’d seen the first one and I loved it. It was
really gory. I actually couldn’t make it through it
and this one was good because it was a lot more
psychological. And its three girls and everybody sort
of knows about what happens in the first one and you
sort of know where they’re headed so the surprise is
gone in that sense but what’s great about it is you
watch these girls and the entire time you know they’re
headed for this dark place. So the happier these
girls are and the nicer they are like the more you are
freaked out and scared for them.
Gaynor Flynn: Is horror more challenging to make than other films?
Bijou Phillips: Yeah because it was three weeks of like torture
stuff when all three girls get down to the dungeon
thing. You really have to get yourself there mentally
and that was intense. And the kind of internal
thoughts you have while you’re going through something
like that can sometimes be surprising. Like I use to
have problems with my mother when I was a teenager and
now we’re super close and during the whole torture
stuff I just wanted my mom. But it’s beautiful too.
Like those child like needs just pop into your mind
and they’re just so simple and it’s sort of like an
awakening. And the other hard thing was sometimes you
get home and I’d spent a long day shooting and you’ll
almost fall asleep and you’ll picture yourself back
there and relive some of that torture stuff and you
jump out of bed really quickly and that freaks you out
and flips your stomach up and you’re out of breath and
you kind of get freaked out by that.
Gaynor Flynn: How does it work on set? Do you joke around in
between takes? Or do you find it more difficult to
slip in and out of character when its horror?
Bijou Phillips: It depends on the subject matter. Usually when
you’re shooting you’re having a good time and hanging
out. I can’t really go out the night before shooting
because I’m so tired. I need like 12 hours of sleep
which is all they really give, 12 hours off so I
usually just have to go home and go to bed and try and
get myself to sleep right away but you know on days
off you usually hang out and have a good time, but its
funny. If you have to play best friends with someone
you find yourself hanging out with that person most of
the time and if you’re not supposed to like someone in
the movie you find yourself not really hanging out
with them that much.
Gaynor Flynn: Is acting your main passion nowadays?
Bijou Phillips: Acting’s pretty much my main passion right now. I’m
thinking about making another record, I just have to
get into that place. But its hard cause for the last
few years I’ve literally just been going from movie,
to movie to movie so I haven’t had like any time off
to think about that. And acting you just go for it
when you can, and when I was trying to do music and
acting I found that I wasn’t really doing either as
well as I could have been, so I had to make a choice
and right now I write music and its nice I have my
little studio and record songs. I do it for myself so
I get what I need to get out of the music aspect of it
like the artistic expression and making music that I
love that I can give to my friends or put on my
Myspace page but that’s about it I don’t have this
huge need to put it out.
Gaynor Flynn: Would you like to make another record at some stage?
Bijou Phillips: Yeah. I think at some point I’ll probably make a
little jazz record and maybe go on tour for a minute
when I’m older in my 30s or something, but right now
while I’m young and have the energy which I barely do
I wanna just keep plugging away at the acting.
Gaynor Flynn: Did you study acting or did you just fall into it.
Bijou Phillips: Yeah I studied for years and years. I have an
acting coach in Los Angles named Leslie Kahn he’s
amazing and I went to this performing arts camp called
Stage Door Manner and Natalie Portman went there and
Mandy Moore went there and a bunch of people went
there.
Gaynor Flynn: You must appreciate people like Justin Timberland and
Beyonce then, who juggle two careers?
Bijou Phllips: Yeah, but I feel they’re definitely more musicians
than actors. I think Justin Timberlake has done like
two movies, and Beyonce has only done like two or
three movies.
Gaynor Flynn: Do you have a plan for your acting career?
Bijou Phillips: I don’t know. I mean I’m just having fun doing
some horror movies and just kind of exploring all that
kind of stuff. I really like comedy and at the same
time I really like doing horror films so I don’t know.
I get the scripts as they come and I really like them
and I just figure out what I went to do, and just do
them.
Gaynor Flynn: Almost Famous, is one of the biggest studio films
you’ve done so far. Would you like to do more of
those?
Bijou Phillips: Actually I think I’d be into doing more studio
films more but it’s hard with the studio film you have
to really work a lot. They take a really long time to
shoot and so I‘d like to do some films like that but
you can’t really do as many in a year. The indie films
are like in and you have more control and you have
more say and you have more ability to make it
something you want it to be. With studio films it
can be a little bit difficult there’s a lot of people
and they all have an opinion and your opinion is at
the bottom of the bucket. As an actor you want to be
able to believe in what you’re doing and things have
to make sense to you and things have to be honest to
you. If the scene you’re doing doesn’t make sense and
if the scene isn’t honest to you then you tend to be
difficult and I find that even on indies. So I don’t’
know. I’ve auditioned for some studio stuff but not
really that much. Like right now I’m doing this
really small indie film a $1 million and I’m playing a
crack whore who turns good and its kind of like a
dark, crazy role and I’m having so much fun doing it.
Gaynor Flynn: Is this the one in Pittsburgh?
Bijou Phillips: Yeah so I like doing stuff like that its just a
little bit darker, a little bit edgier we can really
play and really do what we want and you know I’m
really get paid peanuts but I’m having fun doing stuff
like that. So I’d like to do more mainstream movies
and I think it could work out if you’re both shooting
for the same goal, and sometimes I feel like a lot of
the studio movies I read I don’t know if I’m
necessarily shooting for the same goal. Which is fine
like I’m really happy doing the movies that I’m doing
I really love them. I play Lorna Doom in The Germs
movie which is about the punk band The Germs and it
was just a real labour of love but I had so much fun
doing it. Then I wrote a bunch of jazz music for this
film called Dark Streets which is Gabriel Mann, and
Isabelle Miko and myself and its about this jazz club
in the 1930’s and kind of everything goes wrong and
it’s this dark city and that was really great to do
and I got to write a bunch of music for that so I
loved making that movie.
Gaynor Flynn: Would you like to write music for films?
Bijou Phillips: Yeah it is something I’d probably like to do more
of we’ll see how this jazz movie goes if it goes good
and its successful then probably I’ll be able to do
more stuff like that. But you just have to fight for
the little gems and the little jewels that you get to
make that you’re really excited about.
Gaynor Flynn: Did you have to fight for a role in Hostel 2?
Bijou Phillips: Oh yeah it was like hundreds of people turned up.
(laughs) I had to work really hard to get it but it
was good cause Lauren German and I are really close
friends and I was really excited because my character
is kind of kooky and crazy and I get to do a lot of
slapstick comedy which I don’t get cast in very much
so that was fun for me to do. At the same time
probably the main reason they hired me is for the
horror stuff and the screaming and being able to be
afraid and scared and play that. I’m a screamer so
people know that I can play that well.
Gaynor Flynn: Given you started out as a model, then musician, do
you feel you have to prove yourself as an actress?
Bijou Phillips: I don’t really think of myself as an actress I
think of myself as an entertainer and I think most
actors do. I mean most actors I know have bands or
side projects and even directors I know have bands or
paint or write poetry so I think I’m an artist. So its
just being creative and finding different outlets that
make you feel like that. And I get a lot out of
acting. I love thinking about other people and
figuring them out and what makes them tick and how
they’d do this and what would be funny and what
wouldn’t be funny or going to places that most people
cant’ go to and getting myself to emotional states
that most people couldn’t do in front of a 100 people.
It’s a challenge and you’re constantly expressing
yourself and you’re constantly thinking and all
artists are sort of making a statement on society and
a statement on humanity whether it’s in their
paintings or their films or their songs.
Gaynor Flynn: Do you have any regrets about starting modelling so
young.
Bijou Phillips: No.
Gaynor Flynn: Did you always dream of being a model, like your mum?
Bijou Phillips: No, not at all, it just happened you know I was
at a horse show and someone took a picture of me and
asked me if I wanted to do a Calvin Klein ad. So I did
a Calvin Klein ad and I got a contract and then I did
a bunch of them then I quit modelling.
Do you miss it at all?
Bijou Phillips: No because I wasn’t really a model I just sort of
started doing it. Like literally I didn’t even
audition, they saw me at a horse show, hired me I shot
the ad, and I did that for like a year or two years
and that’s all I ever did in modelling.
Gaynor Flynn: Do people approach you now to model?
Bijou Phillips: Not really. The Calvin Klein ad’s in those days
were sort of like weird sort of funky people at work.
They weren’t really models and I’m not a model I’m
like a weird little girl so I don’t really look like a
model.
Gaynor Flynn: In 2002 Hollywood Reporter named you one of the
shooting stars of tomorrow, did that put pressure on
you at all?
Bijou Phillips: No, I don’t think about all that. I don’t really
take any of that stuff seriously. I just sort of try
to have fun.